It’s not about my girlfriend, even though I consider Music to be my muse.

It is about a myth I want to kill and bury forever. Alas, the human race is desperately stupid and enjoys it. Meh.

I’m going thermonuclear on this, and I’ll exhaust myself to death ingraining the truth in consciously ignorant brains… If I can call this ugly slime that way.

THERE IS NO SUCH THING AS THE ABSOLUTE PITCH.

Come on, do you really think a newborn can spot a G flat? If so, die, useless being (you, not the newborn)!

This fucking “absolute pitch” is not innate. It is acquired!

How?

With a pitchfork. Ha! Where’s the “absolute” part of this shit? Tell me!

It is RELATIVE. Want it or not.

Notes are learnt according to this pitchfork. The pitch is usually set to 440Hz for a reference A.

In the western tradition, there are 12 notes, each spaced evenly… Or so you may believe.

Wanna jump back to Bach’s era, when each land had two reference pitches. One for the Church, and one for the profane.

How many Länder in Germany? How many references?

It was a mess. Though, Bach managed his way through.

Add to this that not all instruments are tuned in a 12-tone system, equally divided. Especially not the organ. Silbermann and Bach clashed often about it.

Dividing the octave into 12 tones is called tempering.

It may be a revelation to you, but there are countless ways of tempering, not to mention that the western 12-tone equal temperament is nothing but a mediocre compromise.

I won’t go too deeply into that, but upon request (use the contact form), I can send you examples of other tunings and temperaments.

There are modern turkish makamlar/ persian maqamat (systems of scales, beyond the scope of this post), which contain 24 notes per octave. With slight variations, it builds up to 79 notes for makamlar.

It can be called infra-chromatic Music. It can be called microtonal Music.

To me, it is Xentonal or Xenharmonic Music.

Back to the pitchforks.

Haydn and Mozart were taught using a 430Hz A.

Bach was taught using a 415Hz A.

Marin Marais, Antoine Forqueray, Couperin used 392Hz As.

Only the late Rameau used a 415 and a 440 (harpsichords had transposing mechanisms). As much as I love Rameau’s Music, I can’t help hating equal-tempered Music (it is limited, no key has any “colour” or “mood” anymore), though it allows anyone to play within the 12 keys equally (i.e without Bach’s issues when going further and further from the overused C major. Again, explaining in detail why we western retards chose to compromise our musicality is beyond the scope of this post).

Note:

A scale is not a temperament. A temperament is how notes are set within a scale.

Pythagoras made thorough research about temperaments. His works show two versions. The ideal one, with 53 notes per octave, and an extremely theoretical one, with 665 notes per octave.

How absurd is it to ever imagine that anyone can spot 665 discrete notes…

Recap:

3 things to remember:

-pitchfork (reference)
-scale
-temperament

I leave you with an (oversimplified, so you can still understand) diagram of what I just overlooked here. Do your homework and don’t fall prey to ignorance. Learn to discern, question and shun mundane, narrow thinking.

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